Escenas poéticas, Series 1, No. 3: Danza de la Rosa

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  1. Music Teaching: Grade 6 ABRSM Piano Exam Pieces
  2. Your complete Music Store in Manchester, since 1857
  3. Catalogue of Analytical Notes
  4. Escenas poéticas, Series 1, H.55

Many showed the influence of Bach in motifs, textures and ornamentation. All were played with fine attention to detail, exquisite dynamic shading whispered pianissimos , and some wonderfully bright and percussive fortes , charm and humour. This, for me, is one of the chief pleasures of a concert programme such as this: exposure to new repertoire.

My Meet the Artist interview with Elena Riu. Full details and tickets here. Then a friend of mine started having piano lessons and I became interested and wanted to take it up.

Music Teaching: Grade 6 ABRSM Piano Exam Pieces

My first teacher was a Polish Jew. She had her concentration camp number tattooed on her arm. My father was musical and my brother is a really good blues and rock guitarist so I guess it was in my blood. Besides my teachers, my influences are varied. From visual artists to poets and dancers as well as composers and colleagues and friends. Someone always close to my heart is Federico Mompou, the great Catalan composer.

  • GRANADOS: Piano Music, Vol. 5 - Escenas Poeticas / Azulejos / Oriental;
  • Starting with Derrida.
  • ABRSM Klavier Stufe 6 - Free exam music - Cantorion, Freie Noten & Konzertangebote gratis.

But I seldom go to concerts now. Playing well and improving is a perpetual challenge. To keep going is sometimes a challenge.

Your complete Music Store in Manchester, since 1857

Recording under less-than-ideal circumstances with very limited studio time can be a bit of a challenge too. Dealing with rejection. Working with mediocre producers can also be a bit hairy.

I wanted people to see how great the piece was and not let John down. Mmmmmm, quite a few colleagues doing their own thing at their own pace whilst juggling mountains….. To play early music is a favourite. When I first went to Dartington I met the Dufay Collective and forged a strong friendship with singer Vivien Ellis which fostered my love for this repertoire. To play, many but if I had to single out something it would be Mompou. Trust your intuition and look at your child and be guided by her. Explore, be inquisitive, work, work and work some more.

Follow your own path. Hold on to your integrity and to who you are.

Catalogue of Analytical Notes

Choose a teacher and be steadfast. You know the saying: when one is ready the teacher appears. Bach Inventions and inventions by contemporary composers who explored the form for my concert at Sutton House. He studied both with his father and with Georg Benda. Later he became court organist in Kassel, as well as cantor at the Lutheran Church. He composed much keyboard music, both in the fashionable galant style of his day and in a more traditional contrapuntal style, as in the collection of six fugues from which this piece is selected.

Escenas poéticas, Series 1, H.55

This lively three-part fugue falls into three paragraphs. The first paragraph is the exposition containing soprano, alto and bass subject entries; it closes in b. In the middle paragraph there are two-and three-part stretto overlapping entries; the music modulates to the relative minor, A, and then returns via the circle of fifths to the tonic key at b.

  1. Jede Menge Flötentöne! Band 1.
  2. A Romantic Sketchbook for Piano Book V - Caswells Strings UK;
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  5. GRANADOS: Spanish Dances / Escenas Poeticas;
  6. The concluding paragraph is in the tonic key throughout, and occasional subject entries alternate with new episodes, mostly based on the triadic head-motif of the subject.